Prometheus Rising

From Detroit to Bristol: Innovators All Despite all plans to the contrary, radio silence has been the order of the day over the last couple weeks. Just as before, this has been down to mad crazy developments in the overall Parallax Architecture, the intricate process of mountains being moved in binary form. It’s a tomorrow … Continue reading Prometheus Rising

Digital Justice

Programmer's Revenge Anyone who's heard Stacey Pullen's DJ-Kicks is already familiar with the greatness of Digital Justice. Theme From 'It's All Gone Pear Shaped' features into the climax of that mix in a crucial way, building on the cruise control digital funk of R-Tyme's R-Theme and cascading into a stunning crescendo of swirling synth architecture, … Continue reading Digital Justice

British Invasion 25

Ah yes, the United Kingdom. The British Invasion 25 originated from a themed event put together by Sari and Kayli, where we indulged in a smorgasbord of British cuisine and shared lists of our favorite records from the ongoing British Invasion. Rather than limiting the list to the timespan of the first British Invasion (put … Continue reading British Invasion 25

Parallax Processing

At the surface level, Parallax Moves has been inna dormant state for the last couple of weeks. Below the surface, however, it’s been a different story. Alongside a number of cooler heads (prevailing), I’ve been slinging code toward a fresh wing of this whole Parallax thing, a set of innovations that’ll serve to revamp the … Continue reading Parallax Processing

The Prodigy

Liam Howlett, Maxim Reality, Leeroy Thornhill and Keith Flint: The Original Techno Punks Amid a rash of recent untimely deaths to hit the music world, the passing of the great Keith Flint was perhaps the most unexpected. For one, he was a generation younger than figures like Scott Walker, Ranking Roger and Mark Hollis, coming … Continue reading The Prodigy

Bomb The Bass – Clear

Bomb The Bass Clear 4th & Broadway 1995 I think it's time to discuss the philosophy of hip hop blues as it relates to Terminal Vibration. Prime trip hop, in other words. Aside from Tricky's debut, I can think of no record that embodies this outlook more than Bomb The Bass' third album, Clear. Squaring … Continue reading Bomb The Bass – Clear